Many people, myself included, will go to great lengths to avoid spoilers for upcoming media that they anticipate. When a film that I want to see is released and I cannot see it on its opening weekend, I will often limit my use of the internet until I have seen the film, so that I do not accidentally encounter a spoiler. I have even avoided certain friends for a while because they saw a film...
On Fictional Canonicity: Part II—A Proposal
In my previous article, I introduced the concept of fictional canonicity. In this article, I will detail my issues with the concept and propose a solution. As a quick recap, in my previous article, I defined a fictional canon as a body of works that constitute the official history within a given fictional setting. My issue with this idea can be summed up in two words: who cares? That the current...
On Fictional Canonicity: Part I—Defining Canon
My favorite film series is Star Wars, and it has been since I was very young. Despite this, my interest in the franchise waxes and wanes. Currently, my interest in Star Wars is on the upswing, spurred on by my anticipation of the Disney+ series The Mandalorian and the upcoming film The Rise of Skywalker. As I await these upcoming canonical entries in the Star Wars franchise, I am also reading Han...
On Supercompositions
Many of the most popular and influential books on writing drama and fiction focus on plot structure—and rightly so, for without structure narratives could not function. Considerably less emphasis has been placed on understanding serialized narratives and how their structures differ from non-serialized narratives. Over the next few entries in this blog, I intend to articulate some of my ideas and...
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